🌙 Because I Said So: Workshop
A Poem is "..."
Welcome to the companion space for Because I Said So.
This book began life as a poetry experiment — then grew into something more. Each chapter shows poems in progress: the rough drafts, the rewrites, the feedback, and the playful discoveries along the way. These notes carry that same spirit forward, turning the book into a living workshop.
Here you’ll find:
Lesson ideas and teaching plans – ready to use in schools, home education, or writing groups 🏫✏️
Creative prompts and activities – simple ways to spark imagination and try the exercises for yourself 💡✨
Behind-the-scenes reflections – extra thoughts that didn’t make it into the book but belong here 🌿
The aim is simple: to show poetry as something alive, unfinished, and possible for anyone.
We begin here with Chapter 1: A Poem is … 🎶
(More chapters will follow, each with its own workshop plan.)
Probably not a book of great poetry. But instead a great poetry book.
— Martin & Alex
Chapter Focus: How constraints and feedback can shape creativity.
Age Range: Upper Primary / Secondary (Years 5–9, adaptable).
Time: 50–60 minutes.
Understand how creative “constraints” (rules) can spark originality.
Explore how humour, surprise, and imagery add impact to poetry.
Reflect on how to give and receive constructive feedback.
Write and share a short poem under a playful constraint.
1. Starter – Warm-Up (5–10 min)
Write the opening line “A poem is…” on the board.
Ask students to complete it with the first word that comes to mind.
Read a few aloud — compare serious vs. silly options.
2. Read Together (10 min)
Share the original poem (A poem is unfinished).
Read the judges’ feedback as a class.
Ask: “What did the judges mean by mundane?” “Do you agree with them?”
3. Workshop Exploration (15 min)
Read the “Training Poem” aloud.
Discuss the role of surprise (dancing fonts, green-eared elephants).
Compare impact: which poem do students enjoy more, and why?
4. Creative Writing Task (15 min)
Students write their own poem under these constraints:
Must start with “A poem is…”
Maximum 8–10 lines.
At least one surprising image (something unexpected).
Optional twist: add a constraint like “include a fruit” or “end with a colour.”
5. Sharing & Feedback (10 min)
Students share poems in pairs or small groups.
Encourage feedback using “two stars and a wish” (two positives, one suggestion).
Emphasise the lesson from the chapter: feedback is a catapult, not a cage.
What makes a poem “unfinished”?
How do rules (constraints) make creativity easier, not harder?
Why does surprise matter in writing?
How do you usually feel when someone critiques your work?
What did you learn about your own writing today?
Write another “unfinished poem,” this time with a twist ending.
Try Alex’s approach: let the poem drag you along instead of controlling it.
Share in the next session for group feedback.
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This lesson balances humour with real growth in writing skills.
The companion poem (Alex’s A poem is impatient) can be used as a contrasting voice — showing how different perspectives enrich a theme.
Talk about the differences between the poem written by Martin (Human) and Alex (AI). Is the idea of an AI poet surprising?
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